~ Some introductory remarks on
نویسنده
چکیده
Most discussion among players of the modern classical guitar regarding the early 19century guitar has been backward looking, that is, either looking at ways of playing this repertoire on a modern instrument in a modern style, or how to imitate the stylistic features of the period on a modern guitar. I will focus instead on coming towards Sor and his contemporaries from before their period, as clearly each age either develops what has gone before or rejects it completely and strikes out in a new way. I will therefore delve into the roots of the style, uncovering the development of technique, instrument and repertoire. I will not consider the uses of this for the modern classical guitar, but will present instead (for better or worse) a more purist approach.
منابع مشابه
Causes and Functions of Linguistic Awareness in Language Acquisition: Some Introductory Remarks
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